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The window, made in 1982 for the new Cuthman Chapel, shows Cuthman at the end of his journey to Steyning, holding the broken elder withies. It was the work of the local stained-glass artist, Annie Goodman. The barrow holding Cuthman’s mother is to his right. The South Downs (and five sheep) are depicted in the background. Before his feet is is the junction of the fresh-water streams described in the account of his arrival in Steyning. Around him are boulders that from which the name Steyning (‘stony place’) may be  derived.

The window, made in 1982 for the new Cuthman Chapel, shows Cuthman at the end of his journey to Steyning, holding the broken elder withies. It was the work of the local stained-glass artist, Annie Goodman. The barrow holding Cuthman’s mother is to his right. The South Downs (and five sheep) are depicted in the background. Before his feet is is the junction of the fresh-water streams described in the account of his arrival in Steyning. Around him are boulders that from which the name Steyning (‘stony place’) may be  derived.